Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Educated as a mathematician, musician, and clergyman, Jones was an accomplished daguerreotypist before he was introduced to the calotype by William Henry Fox Talbot in 1845. Jones's pictures were taken primarily in Wales, England, Ireland, and the Mediterranean and often depicted complex compositions of ruins, landscape, and rustic architecture. To provide a sense of scale and human presence, he almost always included figures in his architectural views (here a lone individual leans against the archway). In this photograph Jones also alluded to the inevitable passage of time by contrasting the monumental arch in the foreground with the ruined arch in the distance.
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Rev. John Richardson Major (British, 1821–1871) — Gateway to
André Philippe Régnier (French, 1837–1913) — Rural Estate Se
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra
Victor Petit (French, 1817–1874) — Architecture Pittoresque
Louis-Rémy Robert (French, 1811–1882) — Doorway to Sèvres Fa
James Wallace Black — Old Fort
Louis-Rémy Robert (French, 1811–1882) — Fountain of Notre-Da
David Octavius Hill|Robert Adamson|Hill and Adamson — St. A
David Octavius Hill|Robert Adamson|Hill and Adamson — Edinb
Charles Nègre — Mont-Majour, Poterne de la Tour de L'Abbaye
Charles Marville — Church of Villeneuve le Comte, Seine-et-M
Auguste Salzmann|Imprimerie photographique de Blanquart-Évra