Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A stunning impression of Federico Barocci's most famous print, this masterful combination of etching and engraving reproduces his altar commissioned by the Duke of Urbino for the basilica of Loreto, painted between 1582 and 1584. The plate, published by the artist and found in his studio on his death, is the only one of his to survive; it entered the Colcografia in Rome in the eighteenth century, allowing the popular image to be reissued in the present.
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Head of a Bearded Man Looking to Lower Left (Nicodemus)
Saint Francis
Head of an Old Woman Looking to Lower Right (Saint Elizabeth
Rest on the Flight into Egypt (recto); Madonna of the Rosary
Head of a Young Woman Looking to Lower Right
Study for the "Madonna of the Rosary"
Christ Child: Study for the Madonna di San Giovanni
Cupid Drawing His Bow
Federico Barocci (Italian, 1528–1612) — The Annunciation
Jacques Bellange (French, c. 1575–1616) — The Virgin and Chi
Unknown artist — Allegory of History
Hans Witdoeck — St. Ildefonso before the Virgin
Pier Francesco Mola — Flight into Egypt
Pierre-Imbert Drevet — Portrait of Louis de la Vergne de Tre
Jacques Bellange|Le Blond — Virgin and Child with an Angel
Hendrick Goltzius (Dutch, 1558–1617) — The Annunciation
Hendrick Goltzius — The Annunciation, from The Birth and Ear
Israël Crispin — Annunciation
Pieter de Jode I|Peter Paul Rubens|Johannes Meyssens — The C
Hendrick Goltzius|Israël Crispin le Jeune — The Annunciation