Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
A Bolognese architect and painter of the Carracci School, Giovanni Francesco Grimaldi played an important role in the development of classical landscape art in 17th-century Europe, with over 50 prints of idyllic imaginary views. Myriad details—from the smoking chimney and fishing party, to the tiny outdoor shrine—only enhance the charm of this example.
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Landscape with a brick factory in the middle ground, a stand
Landscape with a River and Aqueduct
Landscape with a man holding a snake to a terrified child, w
Three boys in a landscape with a town in the background
Landscape with a man holding a snake to a terrified child, w
A family seated alongside a river
Landscape with a Bridge and Two Figures
Landscape with the flight into Egypt
Allaert van Everdingen — The Swineherd
Jacob Savery, I — Path between Swamp and Wooded Bank, from L
Anthonie Waterloo — The Edge of the Forest
Simon Frisius — Parable of the Sower, from Landscapes with S
Jacob Savery I (Dutch, 1566–1603) — Six Landscapes: Path Be
Claude Lorrain — The Goatherd
Anthonie Waterloo — Hagar Comforted by the Angel, from Six L
George Frederick Rosenberg — River Landscape with Figures
Anthonie Waterloo — The Unfaithful Prophet of Judah, from Si
Anthonie Waterloo — Peasant with a Shovel
Claude Lorrain (Claude Gellée) — Rebecca and Eliezer
Anthonie Waterloo — Tobias and the Angel, from Six Landscape