Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing, possessions, and sometimes backdrop. People came to the studio dressed in their finest outfits, and they often brought objects to represent their interests or occupation, such as the tuning fork held by the music teacher. Hand painting could draw attention to luxury items, as in Young Woman with Pantalettes, where her jewelry is dabbed with gold paint and the lacy cuffs of her pantalettes are enhanced with white paint. Most people had only a few photographs made during their lifetimes; therefore, they were often used to mark rites of passage such as graduation and marriage.
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Unknown — [Two Painters, One Seated and One Standing, with B
J. C. Batchelder — [Two Men in Boxing Stance, a Third Man Ad
Unknown — [Two Young Men, One Embracing the Other]
Unknown maker
American, 19th century — Untitled (Portrait of
Unknown maker
American, 19th century — Untitled (Portrait of
Unknown maker
American, 19th century — Untitled
Unknown Maker — Untitled (Portrait of a Man)
Unknown — [Two Young Men Outdoors, One Seated, the Other on
Unknown — [Two Tinsmiths]
Unknown — [Two Seated Men with Calipers, T-Square, and Compa
Unknown — [Two Young Men, One Seated and One Standing, Holdi
Unknown — Untitled