Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Although portrait sittings were directed by the photographer, sitters had some input in shaping their identities by choosing their pose, clothing, possessions, and sometimes backdrop. People came to the studio dressed in their finest outfits, and they often brought objects to represent their interests or occupation, such as the tuning fork held by the music teacher. Hand painting could draw attention to luxury items, as in Young Woman with Pantalettes, where her jewelry is dabbed with gold paint and the lacy cuffs of her pantalettes are enhanced with white paint. Most people had only a few photographs made during their lifetimes; therefore, they were often used to mark rites of passage such as graduation and marriage.
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Unknown — [Two Painters, One Seated and One Standing, with B
J. C. Batchelder — [Two Men in Boxing Stance, a Third Man Ad
Unknown — [Two Young Men, One Embracing the Other]
Unknown — [Two Young Men Outdoors, One Seated, the Other on
Unknown — [Two Tinsmiths]
Unknown — [Two Seated Men with Calipers, T-Square, and Compa
Unknown — [Two Young Men, One Seated and One Standing, Holdi
Unknown — [Three Painters, with Brushes and a Can of Paint,
Unknown — [Two Young Men in Straw Hats, One Seated in the Ot
Unknown — [Carpenter with Saw, Hammer, and Jointer]
Unknown — [Workman Holding a Wrench and Hammer]
Allen & Ginter — Groupes Petites, Godin, from the Actors and