Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Contemporary accounts described the slightly curved printing plate (Capodimonte Museum, Naples) for this Carracci engraving as an artwork and a vessel for drinking or serving wine: “More beautiful . . . is Silenos engraved on a silver salver for Cardinal Farnese.” A Roman gem from Farnese’s extensive collection likely supplied the image, while the plate’s shape mimicked ancient kylixes, such as this one (1889.118), which was incised with a delicate geometrical design while the clay was still wet. Greek black-glazed wares made of terracotta resembled more expensive metal counterparts, which might have been stamped and incised much like Carracci’s silver salver.
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Unknown artist — Medallion with Two Putti Beside Tomb
Jacques Couché — La Coquette Fixee
Francesco Bartolozzi|Richard Cosway|J. Walker — Venus and Ad
Johann Heinrich Ramberg — Bearded Man Spying on Lovers Under
Jean Honoré Fragonard|Nicolas Ponce — Le Pot au Lait
Giovanni Battista Cipriani — Birth of Adonis
Augustin de Saint-Aubin|Charles Nicolas Cochin II — Allegory
Anonymous, 17th century|Pietro Testa — Putto at left reclini
Johann Heinrich Ramberg — Auction of the Cupids
Charles-Étienne Gaucher — The Courier Departs
Louis Crépy, Jr. — Screen of Six Sheets (309)
Jean Honoré Fragonard — The Disciples at the Tomb