Workshop of Jacob Cornelisz. van Oostsanen
● On view now — Gallery 202
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The grief-stricken faces of the Virgin Mary and John the Evangelist once faced another panel referencing the Crucifixion. Their expressive features and weighty three dimensionality make their sorrow over Jesus’s death palpably human, while the golden space that they inhabit reinforces their sanctified status. Netherlandish devotional scenes sought to help viewers reach a liminal space between earthly reality and spiritual vision, a major objective of Christian prayer. Images of Christ’s suffering and his followers’ grief were meant to inspire empathy as a route to personal salvation.
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Gerard David — Christ Taking Leave of His Mother
Albrecht Dürer — Virgin and Child with Saint Anne
Adriaen Isenbrant — Christ Crowned with Thorns (Ecce Homo),
Hans Memling — The Annunciation
Dieric Bouts — Virgin and Child
Italian, Neapolitan Follower of Giotto — Saints John the Eva
Hans Memling — The Annunciation
Quinten Massys — The Adoration of the Magi
Master of the Krainburg Altar (Austrian, active c. 1485–1510
Dieric Bouts — Virgin and Child
Juan de Flandes — Christ Appearing to His Mother
Master of Delft — Virgin and Saint John Mourning over the Bo