Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Palm leaf was the preferred material for sacred texts before the 1400s in India. The text here was often appended to the Kalpa-sutra, the most sacred book of Jainism. This story concerns the life of a Jain teacher named Kalaka, a prince who developed the ability to work magic after he become a monk, inspired by the teachings of a holy man. The painting on this page shows a monk clad in white, indicating his affiliation with the Shvetambara (“white clad”) branch of Jainism. It is the second to the last page of the manuscript and includes the beginning of the colophon, which contains information about when and where this manuscript was produced.
Be the first to share your thoughts.
Sign in to join the discussion.
Devachandra (Indian) — Monk Holding a Flower Venerated by a
Genealogical text, folio 167 (verso) from a Kalpa-sutra and
The Monk Gautama, Enthroned: Folio 2 (recto), from a Kalpa-s
Devachandra (Indian) — Folio (recto) from a Kalpa-sutra and
Folio 2 (verso), from a Kalpa-sutra and Story of Kalakachary
Monk Holding a Flower: Folio 2 (recto), from a Kalpa-sutra a
A Monk Preaching: Folio 2 (recto), from a Kalpa-sutra
Text, folio 22 (verso) from a Yoga-shastra of Hemachandra
Devachandra (Indian) — Brahmanshanti Yaksha: Folio (verso),
Jain monk with disciple and two laymen, two nuns, and a layw
Folio 2 (verso), from a Kalpa-sutra and Story of Kalakachary
Two nuns teaching lay women, colophon page of folio 167 (rec