● On view now — Gallery 273
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Free rehearsals of the classical concerts conducted by Jules-Étienne Pasdeloup were a popular event in late- 19th-century Paris. John Singer Sargent attended the performances, drawing inspiration from the “odd picturesqueness”—as a fellow artist put it—of the steep view from the upper seats. This composition shows Sargent’s perceptive use of Impressionist techniques to depict modern, urban subjects. He employed thin, abbreviated brushstrokes to capture the rich atmosphere and graphic qualities of the amphitheater’s architecture, the musicians, their sheet music and instruments, and the circus performers gathered in the foreground.
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Jean Louis Forain — The Orchestra
Suzanne Valadon (French, 1865–1938) — The Circus
Isaac Israels — In het Bois de Boulogne bij Parijs
Charles Demuth — Nana at the Races
Edgar Degas — The Ballet from "Robert le Diable"
Isaac Israels — At the Theatre
Joseph Pennell — The Promenades of Madrid
Eugène Carrière — Women in Landscape
Giovanni Boldini — Audience at a Parisian Theatre II
Félix Vallotton (Swiss French, 1865–1925) — The Bistro
George Hendrik Breitner — The Funfair