Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Licentious witches occupied a precarious place during the 16th and 17th centuries, due to their perceived seductive powers that threatened to overturn the patriarchal order of society. The four fleshy women of Albrecht Dürer's beguiling Four Witches exchange vague and shifting glances that suggest sinister intentions. The threatening atmosphere is emphasized by a devil lurking behind an open doorway at the left, and a globe hanging from the ceiling inscribed O.G.H. ( O Gott hüte ), a proverb that means "Oh God, save us"—in this instance, from these sensual witches.
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Albrecht Dürer — The Four Naked Women
Albrecht Dürer — Four Naked Women
Albrecht Dürer — Four Naked Women
Israhel van Meckenem, the younger — The Four Witches
Heinrich Aldegrever — Bathsheba at the Bath
Pieter de Jode II|Peter Paul Rubens — The Three Graces
Christoph Murer — The Three Graces (recto); Four putti engag
Pieter de Jode II|Peter Paul Rubens — The Three Graces
School of Marcantonio Raimondi — Venus, Cupid and Pallas
Pieter Tanjé — The Three Graces
Hans Sebald Beham — The Judgment of Paris
Heinrich Aldegrever — Bathsheba at the Bath