Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Licentious witches occupied a precarious place during the 16th and 17th centuries, due to their perceived seductive powers that threatened to overturn the patriarchal order of society. The four fleshy women of Albrecht Dürer's beguiling Four Witches exchange vague and shifting glances that suggest sinister intentions. The threatening atmosphere is emphasized by a devil lurking behind an open doorway at the left, and a globe hanging from the ceiling inscribed O.G.H. ( O Gott hüte ), a proverb that means "Oh God, save us"—in this instance, from these sensual witches.
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Albrecht Dürer — Four Naked Women
Albrecht Dürer — Four Naked Women
Pieter de Jode II|Peter Paul Rubens — The Three Graces
Christoph Murer — The Three Graces (recto); Four putti engag
Pieter de Jode II|Peter Paul Rubens — The Three Graces
Heinrich Aldegrever — Bathsheba at the Bath
Giovanni Jacopo Caraglio|Rosso Fiorentino — Plate 4: Juno st
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Giulio Bonasone — The toilet of Psyche who is seated in the
Laurent de La Hyre|François Chauveau — The Three Graces
Cornelis Massys (Flemish, 1510/11–1556/57) — Justice and Pru