Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Four fish of various sizes are swimming among aquatic plants. Like in other paintings, the existence of water is suggested in the harmonious movement of the fish and plants. In Chinese, the word for fish ( yu ) is a homophone for “abundance” and thus the motif has an auspicious connotation. The painter uses the so-called boneless technique without outlines to shade and texture the bodies of the fish. The smooth transition from dark shades on their backs to their white bellies and the thin transparent fins and tails in light washes accentuated by gills and scales are all executed without contour lines.
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Liu Jie (Chinese, c. 1447–1520s) — Leaping Carp
Zhou Dongqing — 元 周東卿 魚樂圖 卷|The Pleasures of Fishes
Bian Shoumin (Chinese, 1684–1752) — Album of Calligraphy and
Kikuchi Yōsai
Kano Naonobu (Japanese, 1607–1650) — Winter Scene with Plum
Liu Jie — 一鱖禾蟹圖|Flowers, fish, and crabs
Gong Gu — 清 龔谷 躍鯉圖 四條屏|Nine carp
Seki Shūkō
Seki Shūkō
Utagawa Hiroshige — Carp in the Tone River (Tonegawa no koi)
Utagawa Toyokuni I — The Red Carp
Seki Shūkō