Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Nicoletto da Modena is best known for his idiosyncratic prints and engravings. His works are rendered in a style characterized by delicate cross-hatching and purity of line, with some similarity to the Ferrarese Tarocchi cards. Here the martyr Saint Sebastian is lashed rather serenely to a decorative column in a landscape setting with ancient ruins. Nicoletto often used a burr to produce the decorated surface effects, best seen in the darker areas of the ceiling architecture.
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The Nativity and the Adoration of the Shepherds
The Nativity and Adoration of the Shepherds
A man carrying sack striding to the left
Vulcan seated forging Cupid's wing
Three Stags, sitting in the ground, buildings in background
The Fate of the Evil Tongue
Orpheus and the Judgment of Paris
Apelles standing profile looking at a tablet of geometric fi
Master I.B. with the Bird — Saint Sebastian
Anonymous, Italian, Lombard, 16th century — Design for a Wal
Albrecht Dürer — Man of Sorrows by the Column, frontispiece
Marco Dente|Raphael (Raffaello Sanzio or Santi)|Giovanni Mar
Agostino Veneziano (Agostino dei Musi)|Antonio Salamanca — S
Étienne Delaune — Narcissus
Albrecht Dürer (German, 1471–1528) — Man of Sorrows by the C
Marcantonio Raimondi|Michelangelo Buonarroti — Naked man vie
Michelangelo Buonarroti|Master of the Name of Jesus Christ —
Cristofano Robetta — An Allegory of Abundance
Albrecht Dürer — Man of Sorrows, from "The Passion"
George Richmond — The Fatal Bellman