Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Louis-Auguste Bisson's Cleveland is an outstanding example of the artistry of the French daguerreotype, aided by recent technical advances at the time. Between 1839 and 1841, for example, exposure times had been reduced from 15 minutes to one or two minutes. This descriptive portrait of the famous dark bay English stallion named Cleveland is a rare example of the small group of daguerreotypes of horses made by Bisson, who launched the 19th-century tradition of horse portrait photography. The profile pose allowed the photographer to document the anatomical details of the horse, its physiognomy, and breeding. This unusual outdoor picture is a testament to Bisson's technical ability, the speed of the exposure, and the horse's willingness to stand still.
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Prize Horse in winter, Chemung County, New York
Unknown — [My Pegu Pony]
Nevil Story Maskelyne — Sultan
Thomas Eakins — [Thomas Eakins's Horse Billy and Two Crowell
Two Oxen and Driver
Solomon Clark Spelman and Martha W. Spelman in front of S.C.
Unknown — [Farmer with Plow and Team of Horses]
John-Lewis Brown — Woman on horseback
Horse in Front of a Barn (verso)
John Constantine Stanley — [Man and Horse, Government House,
Unknown — [Two Women and a Child]
Rufus Anson — [Dog Posing for Portrait in Photographer's Stu