Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Louis-Auguste Bisson's Cleveland is an outstanding example of the artistry of the French daguerreotype, aided by recent technical advances at the time. Between 1839 and 1841, for example, exposure times had been reduced from 15 minutes to one or two minutes. This descriptive portrait of the famous dark bay English stallion named Cleveland is a rare example of the small group of daguerreotypes of horses made by Bisson, who launched the 19th-century tradition of horse portrait photography. The profile pose allowed the photographer to document the anatomical details of the horse, its physiognomy, and breeding. This unusual outdoor picture is a testament to Bisson's technical ability, the speed of the exposure, and the horse's willingness to stand still.
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Unknown maker
American, 19th century — Untitled (Portrait of
Unknown maker
American, 19th century — Untitled (Portrait of
Prize Horse in winter, Chemung County, New York
Unknown maker
American, 19th century — Untitled (Two Men wit
Unknown — [My Pegu Pony]
Unknown maker
American, 19th century — Untitled (Portrait of
Nevil Story Maskelyne — Sultan
Thomas Eakins — [Thomas Eakins's Horse Billy and Two Crowell
Montgomery Simons — Untitled (Portrait of a Standing Man wit
Two Oxen and Driver
Unknown maker
American, 19th century — Untitled (Two Men and
Unknown maker
American, 19th century — Untitled (House with