In the collection of Cleveland Museum of Art, Cleveland — check current display status with the museum.
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Saint Barbara holds both a book and a ring symbolizing her scholarly pursuits and union with God. According to legend, the leather thongs with which she was beaten were transformed into peacock plumes. This painting and one other in the collection (1942.633.1) were originally the wings of an altarpiece flanking a central panel, now lost, that may have depicted the Holy Family. The identity of this artist is unknown, but he is named for a painting in the Chapel of the Holy Blood in Bruges. Bruges flourished as an international commercial center through the 1400s and early 1500s. Among its residents were many foreign merchants and bankers who, along with the Burgundian court, patronized artists and attracted specialized craftsmen such as furriers, hatters, jewelers, and goldsmiths. Bruges’s artistic production in the 1400s included celebrated artists like Jan van Eyck, Petrus Christus, Hans Memling, and Gerard David who painted large altarpieces, small panels for private devotion, and portraits. Bruges also remained an important center for the production of illuminated manuscripts.
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anonymous — Portrait of Lysbeth van Duvenvoirde
Frei Carlos — Saint Vincent, Patron Saint of Lisbon
Hans Memling — Saint Mary Magdelene
Saint George and Saint Sebastian
Master of the Brunswick Diptych — Saint Valerian, left wing 
German Painter — Portrait of an Italian Woman
Master of the Brunswick Diptych — Saint Cecilia, right wing 
Friese School 1542 — Portrait of Worp van Ropta, Chief Magis
Jan van Eyck — Cumaean Sibyl
Hans Memling — Young Woman with a Pink
Francesco di Giorgio — Oenone (left end panel)
Franz Wolfgang Rohrich — Sophia (1464–1512) of Poland
