Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Henry Richard Greville was not a professional printmaker, but rather one of many aristocrats who pursued lithography as a hobby. Lithography depends upon the antipathy of grease and water, so a lithographer draws on a smooth block of limestone in a greasy medium—crayon or a liquid wash called tusche. When printing ink is applied to the wet stone, it only sticks to the drawn lines. The first collection of lithographs, or polyautographs, Specimens of Polyautography , was published in London in 1801 with pen lithographs by several well-known English artists. After this early start, lithography failed to catch on in England, however, leaving French artists to explore the full range of possibilities of the medium.
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Jean Baptiste Huet — Plate 23 of 38 from Oeuvres de J. B. Hu
Jean Baptiste Huet — Plate Six of 38 from Oeuvres de J. B. H
Anonymous, Italian, Venetian, 15th to 16th century — Trees
Henry Richard Greville, 3rd Earl of Warwick and Brooke — Lan
Jan Both — The Large Tree, from Upright Italian Landscapes
Jan Both — Upright Italian Landscapes: Woman on a Mule
Carl Wilhelm Kolbe, the elder — Landscape
Étienne de Lavallée-Poussin — Mary Magdalene as a Penitent
Ferdinand Kobell — Waterfall (The Cascade)
Herman Naijwincx — Mountainous Landscape with a Road, from t
Jean Baptiste Huet — Bucolic Scene
Louis Philippe Joseph, duc de Chartres — Landscape