Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In Aesop's Fables, the escaped slave Androcles is thrown to a lion for the amusement of the emperor. Miraculoush, the beast greets him like a puppy instead of tearing him limb from limb. Androcles had once removed a thorn from the lion’s paw, and in gratitude the animal spares his life in the arena. The emperor is so touched by the story that he too spares Androcles’ life and sends the lion back to the wild. Agostino Veneziano may have used a drawing by Raphael as the model for this engraving. Its subject matter reflects the early-16th-century fascination with ancient literature and sculpture.
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Agostino Veneziano (Agostino dei Musi)|Raphael (Raffaello Sa
School of Andrea Mantegna — The Flagellation of Christ, with
Andrea Mantegna — The Flagellation of Christ, with the Lands
Agostino Veneziano (Agostino dei Musi)|Baccio Bandinelli — C
Jean Mignon|Luca Penni — The Trojans Bring the Wooden Horse
Andrea Mantegna|Giovanni Antonio da Brescia — The Triumph of
Master of the Die — The Triumph of Scipio
Julius Schnorr von Carolsfeld — Hagen Leaves Siegfried's Bod
Master of the Die — The Victory of Scipion over Syphax
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi — Sheet 3:
Andrea Mantegna — The Senators, from Triumph of Caesar
Andrea Mantegna|Gian Marco Cavalli — The Flagellation, with