Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Abandoning medical studies in his native Edinburgh, Robert MacPherson traveled to Rome in 1840 to try his hand as a landscape painter. His move coincided with a rise in tourism to Italy, in particular to the country’s classical monuments. MacPherson took up photography in 1851 to capitalize on this burgeoning tourist trade, and he soon gained success as a landscape photographer producing deluxe views for British customers. MacPherson has carefully omitted signs of the present in this image of the Forum, such as traffic, local Italians, and commercial vendors, to focus instead on a mythic past for buyers eager to own a piece of Western civilization.
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Bisson Frères — Forum Romanum, Rome
Eugène Constant — Veduta del Foro Romano
Calvert Richard Jones — [Temple of Concord, Rome]
Félix Bonfils — [The Roman Forum]
James Robertson (British, 1813 (?)-aft 1865) — Temple of Jup
Eugène Constant — Tempio della Concordia
Eugène Piot (French, 1812–1891) — Parthenon
Maxime Du Camp — Baalbeck (Héliopolis), Temple Du Jupiter, F
Eugène Constant — Rovine del Foro
Dimitri Constantin (Greek) — Temple of Athene, Cape Sunium,
James Robertson — [Acropolis, Athens, Greece]
Edouard Baldus — Théâtre Romain à Arles