Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Signac adapted for the lithographic process the style he and George Seurat (1859-1891) developed in the 1880s for painting: pointillism. Brilliantly colored dots were juxtaposed to produce a full optical tonal range more luminous than can be obtained from pigments mixed on the palette. Saint-Tropez, printed in six colors (blue, blue-gray, red, pink, yellow, and green), demonstrates that lithography was a perfect vehicle for translating these artists' scientific ideas about color.
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Maximilien Luce (French, 1858–1941) — Saint-Tropez
Georges Seurat — Entrance of The Port of Honfleur (Entrée du
Henri-Edmond Cross (Henri-Edmond Delacroix) — Venice-The Giu
L'Estampe Originale — St. Tropez (The Port of St. Tropez)
Paul Gachet (French, 1828–1909) — Six Etchings: Tréport
Henri-Edmond Cross (French, 1856–1910) — The Promenade (Land
Otto H. Bacher (American, 1856–1909) — River Pier
Georges Seurat — Seascape at Port-en-Bessin, Normandy
Elbridge Gerry Peirce (American, 1900–1969) — Gloucester
James McNeill Whistler (American, 1834–1903) — Little Wappin
Henri-Edmond Cross (French, 1856–1910) — In the Park
Auguste Brouet (French, 1872–1941) — Les Martigues
