Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jan van Vliet utilized the dramatic interplay between highlights and shadows to show the heightened moment of Judas’s treacherous kiss. The countless Roman soldiers that recede into the darkness, only betrayed by their pikes and spears, as well as the silhouetted figure who stands between the light and the viewer further dramatize the moment. Van Vliet was also the etcher for several prints designed by Rembrandt, including the Descent From the Cross . The extent to which van Vliet had a hand in the creation of Rembrandt’s prints, however, is the subject of much debate among scholars.
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Alphonse Legros (French, 1837–1911) — The Triumph of Death:
Marius Alexander Jacques Bauer (Dutch, 1867–1932) — A Prince
Mario Cartaro|Albrecht Dürer — The Entombment
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Rembrandt van Rijn — The Stoning of St. Stephen
Albrecht Dürer — St. Peter and St. John Healing the Cripple,
Rembrandt van Rijn (Dutch, 1606–1669) — The Descent from the
Giovanni Domenico Tiepolo — The Holy Family on the Bank of a
Rembrandt van Rijn (Dutch, 1606–1669) — The Hundred Guilder
Andrea Scacciati|Morazzone (Pier Francesco Mazzucchelli) — L
Alphonse Legros (French, 1837–1911) — The Beggars of Bruges
Hendrick Goltzius|Nicolas Cochin|Jean I Leblond — The Betray