Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
These paintings were originally mounted as sliding doors ( fusuma ) used inside a building. The circular areas on the paintings’ paper surfaces are traces of the former positions of the door pulls ( hikite ). A flock of sparrows gathers on a trellis supporting flowering chrysanthemum. Below is a litter of puppies, some cavorting, others napping. The tender story created by the curious puppy peering up and tilting its head to listen to the bird’s insistent call (in the leftmost part of the composition) is characteristic of Nagasawa Rosetsu’s paintings, which often use animals to illustrate the human condition.
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Kano Tan’yū (Japanese, 1602–1674) — Sparrows on Blossoming P
Kano Tan’yū (Japanese, 1602–1674) — Sparrows on Blossoming P
Bian Wenjin (Chinese, about 1354–1428) — A Hundred Birds and
Tsubaki Chinzan
Kano Yukinobu 狩野之信 — 狩野之信筆 四十雀柘榴花図|Titmouse with Pomegranat
One Hundred Birds
Watanabe Seitei
Shiken Saidō (Japanese, 1486–1581) — Sparrows and Bamboo
Geese Returning Home
Ogata Kōrin (Japanese, 1658–1716) — Pheasant and Grasses
Lü Ji — 明 呂紀 鴛鴦芙蓉圖 軸|Mandarin ducks and cotton rose
明 十竹齋書畫譜 四開|Leaf from the Ten Bamboo Studio Manual of Pa