Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Clarence H. White experimented with an array of artistic media that blurred the lines between photography, drawing, and printmaking. Here are two examples of that experimentation: a platinum print on the left and a photogravure on the right. White was likely drawn to both processes for their broad tonal range and interaction of image and paper. To create platinum prints, a light-sensitive liquid emulsion is applied to and absorbed by the paper. The image forms within the paper’s fibers, resulting in a matte appearance. Because photogravures are printed like an etching, the image is formed with ink impressed onto the paper’s surface.
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Clarence H. White — Edge of Woods, No. 10 from the portfolio
Clarence H. White — Sunlight
Clarence H. White — Untitled
Kinney Brothers Tobacco Company — Lansing Rowan, from the Ac
Rose Clark — Miss M. of Washington, No. 17 from the portfoli
Eva Lawrence Watson-Schütze — A Study Head, No. 14 from the
American Tobacco Company|W. Duke, Sons & Co. — [Actress stan
Allen & Ginter — Omene, from the Actors and Actresses series
Julia Margaret Cameron — Mrs. Herbert Duckworth
Kinney Brothers Tobacco Company — Mignon Villars, from the A
Mathilde Weil — Beatrice, No. 14 from the portfolio "America
Allen & Ginter — Card 706, from the Actors and Actresses ser