Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Dance of Death is the most celebrated series of woodcuts designed by Holbein. The forty-one blocks were cut by Hans Lützelburger in the years immediately before his death in 1526, though the set was not published until 1538. Dance of Death originated as a drama in the middle of the 14th century. Following widespread epidemics such as the black plague, these plays took place in a cemetery or churchyard. Actors, dressed in pale costumes painted to resemble skeletons, personified Death and summoned a group of people from all social classes in a dancelike procession. In a period when the life span was short, the purpose of the Dance of Death was to remind the populace to prepare for the Last Judgement.
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Hans Holbein the Younger|Wenceslaus Hollar — The Miser, from
Hans Holbein the Younger|Hans Lützelburger — The Doctor (or
Hans Holbein the Younger|Hans Lützelburger — The Rich Man, f
Hans Holbein the Younger|Hans Lützelburger — The King, from
Hans Holbein, the younger — The Physician
Wenceslaus Hollar — The Rich Man and Death
Hans Holbein the Younger|Hans Lützelburger — The Merchant, f
Albrecht Altdorfer (German, c. 1480–1538) — The Fall and Red
Hans Holbein the Younger|Hans Lützelburger — The Abbess, fro
Hans Holbein the Younger|Hans Lützelburger — The Lawyer (or
Albrecht Altdorfer (German, c. 1480–1538) — St. Jerome in th
Hans Holbein the Younger|Hans Lützelburger — The Emperor, fr