Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Despite the skepticism artists such as Delacroix felt toward the importance of antiquity to modern painting, Daumier’s prints made ancient lives newly relevant as well as superbly humorous. In December 1841 Charivari announced the artist’s new series: “We have sent Monsieur Daumier to Greece, alone and without any scientific support. He worked day and night to reveal the Greek soul of the past. . . . Daumier brings antiquity back to us.” The three Historie Ancienne (Stories from Antiquity) prints on view in this gallery show that love in Ancient Greece was just as forceful and complicated as in 19th- century life—with images ranging from this enamored, subservient Hercules to a suicidal Sappho.
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Two Lawyers
The Print Collector
Exploiting friendship. “My dear Alphonse, I've invited these
Robert: “- Well, well! My dear director... how's business?”
Mr. Prune, plate 288 from Célébrités de la Caricature
“God! How I loved that fellow there!,” plate 16 from Caricat
A Victim of His Own Politeness, plate 7 from Croquis Musicau
A Candidate. “Who do you want?... An upright, conscientious,
Honoré Daumier (French, 1808–1879) — Hercules Tamed by Love
Honoré Daumier (French, 1808–1879) — Alexander and Diogenes
Théodore Chassériau — Owake! What Ho! Brabantio!plate 1 (act
Honoré Daumier (French, 1808–1879) — Introduction of Ulysses
Honoré Daumier (French, 1808–1879) — The Mother of the Gracc
Théodore Chassériau — Owake! what ho! Brabantio! thieves! th
Théodore Chassériau — Owake! what ho! Brabantio! thieves! th
J. J. Grandville|Langlumé — Journey for Eternity, No. 2
Nicolas-François Chifflart — Hercules, plate one from Twelve
Charles Rambert — Plate Two from Misery
Honoré Daumier (French, 1808–1879) — Apelles and Campaste
Valentine Green — Miravan