Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Caricaturist Honoré Daumier, in an unusually somber mood, used images of partially exposed corpses to make a political statement: Daumier criticized the contemporary French government’s excessive response to a lower class riot in his Rue Transnonian .
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Two Lawyers
The Print Collector
Exploiting friendship. “My dear Alphonse, I've invited these
Robert: “- Well, well! My dear director... how's business?”
Mr. Prune, plate 288 from Célébrités de la Caricature
“God! How I loved that fellow there!,” plate 16 from Caricat
A Victim of His Own Politeness, plate 7 from Croquis Musicau
A Candidate. “Who do you want?... An upright, conscientious,
Honoré Daumier|Delaunois — Rue Transnonain, le 15 Avril, 18
Honoré Daumier (French, 1808–1879) — Rue Transnonain, April
Honoré Daumier|Aubert et Cie|Bauger et Cie — Voilà le moment
Honoré Daumier|Pannier et Cie.|Aubert et Cie — Allons haut!
Alexandre-Gabriel Decamps|Bertauts|Eugène Leroux — Le Suicid
Rembrandt van Rijn — Joseph and Potiphar's Wife
Aaron Martinet|Honoré Daumier|Destouches — Trente deux degré
Jean Baptiste Blaise Simonet — Rose and Colas
Jean-Baptiste Oudry — The Adventure of the Chamber Pot, plat
Honoré Daumier|Marquis de Lafayette|Louis Philippe, King of
Thomas Rowlandson — Lodging at M'Queen's, from Boswell's Tou
Destouches|Arnaud de Vresse|Honoré Daumier — Making sure tha