Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Like Civil War (1871/73), this print is set during the street fighting of the Paris Commune. The troops here mirror the firing squad in Édouard Manet’s The Execution of Maximilian (1868–69), a series of paintings that, due to their political intonations, were not exhibited in Paris under Napoleon III. Here though, instead of Emperor Maximilian of Mexico—a Hapsburg installed by Napoleon III and executed at the hands of a resurgent Mexican army—Manet depicted insurgent Parisian Communards executed by the French army, as it suppressed the uprising.
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Edouard Manet|Lemercier & Cie. — The Barricade
Paul Gavarni (French, 1804–1866) — Les Petite Mordont
James McNeill Whistler — Victoria Club
James McNeill Whistler — The Market Place, Vitré
James McNeill Whistler — The Forge
James McNeill Whistler — The Fish Shop, Venice
James McNeill Whistler (American, 1834–1903) — The Forge
James McNeill Whistler — Sunday, Lyme Regis
James McNeill Whistler — The Venetian Mast
James McNeill Whistler (American, 1834–1903) — La fruitière
James McNeill Whistler — Little Court
James McNeill Whistler — The Forge