● On view now — Gallery 59
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Densely embroidered with colorful silk threads, this lush hanging or cover exemplifies suzani textiles produced during the latter half of the nineteenth century in eastern Uzbekistan, particularly near the oasis cities of Bukhara and Kokand. Art historians and collectors use the term "suzani" to describe a family of embroidered textiles made in Central Asia by urban dwelling Uzbek and Tajik women. During the nineteenth century, young women in particular embroidered hangings and covers as well as other household linens for their dowry. The design and embroidery of a suzani usually involved a number of steps. The pieced, plain woven cotton cloth that serves as the ground fabric for the embroidery was purchased in a single length, then cut and stitched together to produce a large rectangular panel upon which a designer, known as a kalamkash , could draw the pattern. To complete the embroidery, the embroiders agreed on the colors for the different parts of the design, the lengths were unstitched, and then each embroiderer worked carefully on her own to complete her panel. When the embroiderers finished the panels, they once again were stitched together to produce a finished o
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Turkey — Cover
Turkey — Cover
Anonymous — Panel
Iran (Persia) — Fragment (From a shawl)
Turkey — Cover
Iran (Persia) — Fragment (From a shawl)
India, Coromandel Coast (?)
Found in the Toraja area of Sula
Iban — Ceremonial Cloth (Pua sungkit)
Iran (Persia) — Panel (From Woman's Trousers)
Turkey — Cover
Islamic — Prayer Carpet
Hanging