Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Luigi Rossini trained as an architect in Bologna before moving to Rome in 1813, where he had more success as an artist. Following in the footsteps of Giovanni Battista Piranesi, Rossini began a series of etchings of Rome’s constructed marvels. His extensive knowledge of structural design proved valuable for his accurate, detailed portrayals of sites such as the antique arch of Septimus Severus. Whereas Piranesi tended to exaggerate his scenes, Rossini remained grounded in his realistic representations. Because Rossini’s depictions are so precise, his prints serve as important records of Rome’s architectural heritage.
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Giovanni Battista Piranesi — View of the Arch of Septimius S
Giovanni Battista Piranesi — View of the Arch of Constantine
Giuseppe Vasi (Italian, 1710–1782) — The Campo Vaccino
Giovanni Battista Piranesi — View of the Arch of Titus, from
Eugène Constant — Arco di Tito
Stefano della Bella — Temple of Concordia and the Roman Foru
Giovanni Battista Piranesi — Interior view of the Flavian Am
Giovanni Battista Piranesi — The Arch of Septimius Severus,
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Giovanni Battista Piranesi (Italian, 1720–1778) — Views of R
Stefano della Bella — The Temple of Vespasian and the Roman
Abraham Louis Rodolphe Ducros — The Colosseum, Rome