● On view now — Gallery 201
Art Institute of Chicago, Chicago · verified July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Here Claude Monet’s future wife, Camille Doncieux, sits on an island in the Seine River, looking toward the hamlet of Gloton, next to the town of Bennecourt, from which she and Monet have presumably rowed. This is the only painting to survive from the brief period that the couple spent in Gloton, which the novelist Émile Zola recommended to Monet as a cheap rural retreat that was easily accessible from Paris. Pentimenti (visible traces of earlier painting beneath a layer or layers of paint) suggest that in an early stage of the painting, Camille held a bonneted child, presumably the couple’s baby, Jean.
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Alfred Sisley — The Bridge at Villeneuve-la-Garenne
Camille Pissarro (French, 1830–1903) — The Lock at Pontoise
Camille Pissarro — Jalais Hill, Pontoise
Alfred Sisley — Allée of Chestnut Trees
Alfred Sisley — The Seine at Port-Marly, Piles of Sand
Martín Rico y Ortega — On the Seine
Camille Pissarro — Barges at Pontoise
Georges Seurat — Final Study for "Bathers at Asnières"