Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
After settling in Lebanon in 1867, Félix Bonfils opened a photography studio, La Maison Bonfils, in Beirut. The studio’s photographers produced images across the Mediterranean and Middle East, supplying local tourists and European collectors with photographs illustrating biblical scenes, landscape views, and portraits of all kinds. Bonfils’s images project his allegiance to France, which backed the Maronites, a Christian community, in conflicts over Lebanese land and goods—including desirable exports such as cedar trees. Lebanon’s cedars are referenced often in the Bible, sometimes described as “cedars of God.”
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Francis Frith — The Largest of the Cedars, Mount Lebannon
Francis Frith — The Largest of the Cedars, Mount Lebanon
Francis Frith — Cedars of Lebanon
Unknown — [Deodars at Annandale, Simla]
Samuel Bourne — Untitled
Unknown — Cedars of Lebanon
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.
James Duffield Harding — Cedars of Lebanon, from The Park an
Ernest Benecke|Imprimerie photographique de Blanquart-Évrard
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.
Francis Frith — Mount Hermon, The Mount of Transfiguration
Constant Famin — Study in the Barbizon Forest