Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Albert Pinkham Ryder was one of the most innovative artists of the late 19th century, creating reductive, yet expressive compositions out of thick, slowly worked paint, combined with glazes, varnishes, and unconventional materials. In The Essex Canal , a waterway faintly meanders from the green-hued foreground to a skim of blue along the horizon, with an expansive sky beyond. A younger generation of American artists celebrated Ryder as an important early modernist, who pushed toward abstraction and focused on the arduous process of painting itself as instrumental to one’s creative vision. Ryder’s reclusiveness only added to his intrigue and mythic status as an artist ahead of his time.
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Ralph A. Blakelock (American, 1847–1919) — Indian Camp
Théodore Rousseau — Landscape
William Keith — Landscape
Rudolf Jurriaan Stephanus Haak — Evening Sun
John Constable (British, 1776–1837) — Hampstead Heath
Constant Troyon — A Clump of Trees
Gustave Courbet — Wooded Landscape
William Keith — Landscape
Carl Rottmann (German, 1797–1850) — Epidauros
Lockwood de Forest — Greek Mountain Peak at Twilight
Homer Dodge Martin (American, 1836–1897) — Near Newport
Unknown artist — River in Rocky Valley