Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In this dramatic etching, Saint Francis of Assisi kneels in an ecstatic trance, with his palms outstretched toward the vibrant holy host he envisions above him. This print reproduces the painted altarpiece that Federico Barocci completed in 1576 for the church of San Francesco, Urbino. The setting of the chapel in which the altarpiece still hangs is included in this composition. The print, though technically reproductive, transcends didactic repetition through the graphic zeal of Barocci’s etched line.
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Head of a Bearded Man Looking to Lower Left (Nicodemus)
Saint Francis
Head of an Old Woman Looking to Lower Right (Saint Elizabeth
Rest on the Flight into Egypt (recto); Madonna of the Rosary
Head of a Young Woman Looking to Lower Right
Study for the "Madonna of the Rosary"
Christ Child: Study for the Madonna di San Giovanni
Cupid Drawing His Bow
Francesco Villamena (Italian, 1566–1624) — The Ecstasy of St
Federico Barocci (Italian, 1528–1612) — The Vision of St. Fr
Cesare Nebbia — The Assumption of the Virgin
Pietro Testa|Giovanni Giacomo De Rossi — Three Luchese saint
Giacinto Calandrucci — Assumption of the Virgin
Jacob de Gheyn II (Netherlandish, 1565–1629) — Passion Set:
Cornelis Cort (Dutch, 1533–1578) — Adoration of the Shepherd
Jan Sadeler, I — Crowning with Thorns, from Passion of Chris
Charles Claude Dauphin|Johann Jakob Thurneysen, the Elder —
Gabriel Hornstain — The Annunciation
Pietro Testa (Italian, 1612–1650) — Three Lucchese Saints i
Jan Sadeler, I — Agony in the Garden, from Passion of Christ