Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Adolphe Braun pursued several paths to commercial success. A skilled draftsman, Braun nevertheless employed photography as a design aid in his wallpaper and fabric business in the 1850s, making photographic still-lifes of floral arrangements that were admired in his day. He then turned his attention to landscapes, and over the course of the 1860s produced large-scale commercial views as well as thousands of stereographs focusing on fashionable tourist destinations in Germany and Switzerland. (One observer claimed in 1866 that it was virtually impossible to take a step in Switzerland without stumbling upon a shop selling Braun's prints and stereo views.) It is unknown, however, whether this three-part triptych—including two figures repeated in each frame—was intended for tourist consumption. Braun in any case conveys here an Alpine pastorale, replete with a serpentine fence, grassy meadow, and snow-capped peaks.
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Auguste-Rosalie Bisson — Savoie 47, Le Buet et les Rochers d
Adolphe Braun (French, 1812–1877) — Valley of Lauterbrunnen,
Charles Soulier (French, 1840–1875) — Jungfrau, View from Mü
Unknown — Views of England, Switzerland, France, Spain, Egyp
Joseph Vigier — Vue de la partie de la Maladetta et des mont
Farnham Maxwell Lyte (British, 1828–1906) — Eaux-Chaudes, Py
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.
Samuel Bourne — The Manirung Pass
Alfred Stieglitz — Mid Snow and Ice
Samuel Bourne — Untitled
Samuel Bourne (British, 1834–1912) — The Upper Himmalayahs.