Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Like his contemporaries, William Pether used mezzotint to disseminate important master paintings. In this case, he copied Rembrandt van Rijn’s distinctively posed, stoic rabbi. Mezzotint was an ideal medium with which to reproduce Rembrandt’s composition, with its dramatic, Baroque use of chiaroscuro. Not only does mezzotint retain these qualities, but its rich undertones also add to the spotlighted effects. With a touch of theatricality, the portrait focuses on his craggy features. The rabbi is statuesque, demanding reverence from those before him.
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Richard Houston|Rembrandt (Rembrandt van Rijn)|John Boydell
Giovanni Benedetto Castiglione (Il Grechetto) — Man wearing
Rembrandt van Rijn (Dutch, 1606–1669) — The Third Oriental H
Giovanni Benedetto Castiglione (Il Grechetto) — A bearded ma
Rembrandt van Rijn — Jan Lutma, Goldsmith
John Hamilton Mortimer — Bardolph
Rembrandt (Rembrandt van Rijn) — Jan Lutma, Goldsmith
Jacob de Gheyn, II — Joseph, from The Twelve Sons of Jacob
Jan Lievens (Dutch, 1607–1674) — Head of an Oriental
Jan Georg (Joris) van Vliet|Rembrandt (Rembrandt van Rijn) —
Velázquez (Diego Rodríguez de Silva y Velázquez)|Goya (Franc
Giovanni Benedetto Castiglione (Italian, 1609–1664) — The La