Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Jan Harmensz Muller produced a series of engravings from three different vantage points after Adriaen de Vries’s sculpture Rape of a Sabine, which, though also made in the 16th century, replicates the style of antique bronzes. Muller’s series highlights both his engraving skill and his ability to mimic sculpture in the round. The antique subject is particularly apt for this, purpose, for the story of Roman soldiers requisitioning brides in bulk is optimal for showing the twists and turns of conflicting male and female anatomy.
Be the first to share your thoughts.
Sign in to join the discussion.
Henry Fuseli — Menelaus and Patroclus, after the Antique (re
Maarten van Heemskerck|Dirck Volckertsz Coornhert — Wrestler
Andrea Andreani|Giambologna — Rape of a Sabine Woman
Giovanni Domenico Tiepolo — Hercules and Antaeus (with a Bas
Louis Desplaces (French, 1682–1739) — Rape of the Sabines
Giovanni Domenico Tiepolo — Hercules and Antaeus (with a led
Frans Floris, I — Cain Killing Abel
Cherubino Alberti (Zaccaria Mattia)|Michelangelo Buonarroti
Maarten van Heemskerck|Dirck Volckertsz Coornhert — Two Wres
Jan de Bisschop — Study after The Dying Gaul Killing His Wif
Unknown Italian — Hercules and Antaeus
Adriaen de Vries|Jan Muller — The Abduction of a Sabine Wome