Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This scene of the presentation of Christ to the people, or ecce homo (“behold the man”) from the Engraved Passion series exemplifies Albrecht Dürer’s instinct for the graphic possibilities of the engraved line. Working with a burin on a copperplate, he crossed lines at different angles and varied the thickness of the lines to create dramatic tonal areas and highly descriptive textures. In this closely cropped composition, the focus on Christ’s clenched and pained body as he stands in judgment before a crowd contrasts with the disinterest emanating from the man standing calmly before him.
Be the first to share your thoughts.
Sign in to join the discussion.
Albrecht Dürer — Ecce Homo, from The Engraved Passion
Albrecht Dürer — Ecce Homo, from "The Passion"
Lucas van Leyden (Netherlandish, 1494–about 1533) — The Pass
Albrecht Dürer — Ecce Homo, from "The Passion"
Albrecht Dürer — Ecce Homo, from "The Passion"
Hieronymus Wierix (Flemish, 1553–1619) — The Passion: Ecce H
Lucas van Leyden (Netherlandish, 1494–about 1533) — The Pass
Martin Schongauer (German, c. 1450–1491) — The Passion: Ecce
Hendrick Goltzius (Dutch, 1558–1617) — The Passion: The Flag
Martin Schongauer — Christ before Annas
Giovanni Antonio da Brescia (Italian) — Descent into Limbo
Albrecht Dürer — Ecce Homo - The Presentation of Christ, fro