Giovanni Battista Piranesi

Sacrificial Offering in a Temple

after 1750
pen and brown ink and brush and brown and gray wash; framing lines in brown ink

SEE IT IN PERSON

Not currently on view

In the collection of Cleveland Museum of Art, Cleveland · as of July 2026

View at clevelandart.orgPlan a visit ↗

Discussion

Be the first to share your thoughts.

Sign in to join the discussion.

Community guidelines

More by Giovanni Battista Piranesi

Views of Rome:  Temple of CybeleViews of Rome: Temple of CybeleThe Piazza della Rotonda, with the Pantheon and Obelisk (Veduta della Piazza della Rotonda), from "Vedute di Roma"The Piazza della Rotonda, with the Pantheon and Obelisk (VedThe Forum Romanum, or Campo Vaccino, from the Capitol, with the Arch of Septimius in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino)The Forum Romanum, or Campo Vaccino, from the Capitol, with The Piazza Navona, Rome, above the ruins of the Circus of Domitian, the Church of Sant Agnese to the right, Bernini's fountain in the center, from "Vedute di Roma"The Piazza Navona, Rome, above the ruins of the Circus of DoView of the Campo Vaccino (Roman Forum with the Temple of Castor and Pollux to right), from "Vedute di Roma" (Roman Views), part IIView of the Campo Vaccino (Roman Forum with the Temple of CaView of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part IIView of the Flavian Amphitheater, called the Colosseum, fromThe Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino), from "Vedute di Roma"The Forum Romanum, or Campo Vaccino, from the capitol, with View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of RomeView of the Temple of Cybele in the Piazza of the Bocca dell

More like this

Figures Gathered Before a Group of Buildings, One with a Colonnade (recto); Corner View of a Building all'antica (verso)Anonymous, Italian, Roman-Bolognese, 17th century — Figures The Sacrifice of IphigeniaGerard de Lairesse — The Sacrifice of IphigeniaFigure Studies:  Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of OnlookersBernardino Poccetti — Figure Studies: Woman holding a ShielMartyrdom of Saint AndrewAnonymous, Italian, Roman-Bolognese, 17th century — MartyrdoRoman Ruins and Two FiguresGiovanni Paolo Panini — Roman Ruins and Two FiguresStudies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)Polidoro da Caravaggio — Studies for an Altarpiece with the Design for a Stage Set: Solomon Receiving the Queen of Sheba under a Baldacchino, with Fantastical Architecture and a Gardenscape.Carlo Galli Bibiena — Design for a Stage Set: Solomon ReceivDeifying of HorofiliaJames Thornhill — Deifying of HorofiliaFigures in a Roman ArcadeHubert Robert — Figures in a Roman ArcadeStigmatization of Santa Maria Maddalena de' PazziGiovanni Domenico Ferretti — Stigmatization of Santa Maria MUnidentified Subject:  Figures before a Palace or TempleFrancesco Allegrini — Unidentified Subject: Figures before Figures at an Altar or Classical SacrificePaolo Pagani — Figures at an Altar or Classical Sacrifice