Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
American by birth, Whistler had been living in London for almost two decades when he took up the medium of lithography. Here, in his first lithograph, Whistler returned to the subject of his 1873 etching. He depicted Maud in a similar pose, with her characteristic flounced dress and elaborate hat, but this time exploited the qualities of a different medium. He suggested the figure and shadows behind her in soft, greasy lithographic crayon, achieving a range of tonal effects that were not possible with etched lines.
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James McNeill Whistler (American, 1834–1903) — Little Velvet
James McNeill Whistler (American, 1834–1903) — Florence Leyl
James McNeill Whistler (American, 1834–1903) — The Toilet
James McNeill Whistler (American, 1834–1903) — Study
Otto Greiner (German, 1869–1916) — Portrait of Marianne Broc
Hilaire Germain Edgar Degas — Mary Cassatt in the Paintings
James McNeill Whistler (American, 1834–1903) — Study