Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Unlike in books from the previous century, Furber’s etchings were colored by hand with watercolor in a realistic manner. The example to the left, which had not yet been painted, demonstrates the conceptual importance of color. Watercolor enhances the three-dimensional effect of each fruit and adds significant visual interest. Although these prints fulfilled a utilitarian purpose, their decorative quality was also appreciated: they were reissued in numerous editions from the 1730s through the 1750s.
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Jean Louis Prévost — Collection des fleurs et des fruits: B
Henri Louis Duhamel du Monceau (French, 1700–1782) — Apple w
Henri Louis Duhamel du Monceau (French, 1700–1782) — Traité
Henri Louis Duhamel du Monceau (French, 1700–1782) — Traité
Joseph de Montalegre (Hungarian) — Nurnbergische Hesperides:
Georg Dionysius Ehret (German, 1708–1770) — Fruit Arrangemen
Jan van Huysum — Still Life with Fruit
George Brookshaw (British, 1751–1823) — Pomona Britannica:
Henry Fletcher — May, from Twelve Months of Flowers
B. Michel (French) — Damascus Plum
Henry Fletcher — July, from Twelve Months of Flowers
Richard Earlom (British, 1743–1822) — A Fruit Piece