Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
In 1846, after reading his brother’s translation of a sixth-century Persian poem about Anahita, the goddess of the night, William Morris Hunt became intrigued with the myth, and he returned to the subject repeatedly throughout his career. Anahita was an important Persian nature deity, probably derived from Babylonian mythology, who was identified with Aphrodite, the Greek goddess of love. Although the poem describes Anahita fleeing the dawn in her chariot, Hunt did not actually include the deity in this relief. He probably created the relief as a study for his murals in the New York State Capitol, in Albany. The expressive sculpting of the figures—with the horses’ legs modeled fully in the round—captures the drama of the moment in three dimensions.
Be the first to share your thoughts.
Sign in to join the discussion.
Mennecy Factory — Horse
Antonin-Marie Moine — Fall of a Cavalier
China — Caparisoned Horse
Wedgwood Manufactory — Chess Piece: Knight
Italy — Lion Attacking Horse
Francesco Fanelli — Centaur Abducting a Nymph
Italian — Stallion (one of a pair)
Italian — Stallion (one of a pair)
Du Paquier Porcelain Manufactory — Equestrian Figure
Staffordshire, England — Horse
China — Horse
Thomas Jeckyll — Fireplace Surround