Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Together with his father (also named Thomas Way), T. R. Way oversaw the printing of most of Whistler’s lithographs, which often involved the direct participation of Whistler himself. The Ways were champions of lithography and sought to have it recognized as an art form, not just as an affordable means of reproducing images. Unlike etching and mezzotint, both of which are intaglio processes requiring the incision of a metal plate, lithographic printing relies more on chemistry and the basic principle that oil and water repel each other. As this example demonstrates, a lithograph can be characterized by a powdery or chalky surface texture. Whistler, together with Way, frequently used this quality to achieve expressive effects.
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James McNeill Whistler|Thomas Robert Way — Arrangement in Gr
Henri Charles Guérard — Whistler's Mother, after Whistler
Richard Josey — Arrangement in Grey and Black No. 1: Portrai
James McNeill Whistler (American, 1834–1903) — Finette
James McNeill Whistler — Finette
Alphonse Legros (French, 1837–1911) — Peasant Woman in the N
Jean Louis Forain (French, 1852–1931) — Study of a Seated Wo
Odilon Redon — Profile of Light
Henry Wolf (American, 1852–1916) — Thomas Carlyle
Anne Claude Philippe de Tubières, comte de Caylus|Edme Bouch
James McNeill Whistler — Annie, Seated
James McNeill Whistler — Finette