Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Rembrandt likely knew Jan van de Velde the Younger’s dark yet straightforward rendition of the Twelfth Night festivities, in which the artist bathed his star-singers in sufficient lantern light so that their features could be made out. In contrast, Rembrandt submerged his revelers in pitch blackness, with only a glimmer of light emanating from their star. Carrying it was an important role (here assumed by a child), and at the end of each verse, pulling a rope set the star in motion. Rembrandt suggested a second group of singers in the far left, clustered around their own tiny, bright star.
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Rembrandt (Rembrandt van Rijn) — The Star of Kings: A Night
Rembrandt (Rembrandt van Rijn) — Adoration of the Shepherds:
Rembrandt van Rijn (Dutch, 1606–1669) — The Star of Kings: A
Rembrandt van Rijn (Dutch, 1606–1669) — The Entombment
Rodolphe Bresdin (French, 1822–1885) — Moldavian Interior
Donald Shaw MacLaughlan — The Little Forge
Donald Shaw MacLaughlan — The Little Forge
Rembrandt (Rembrandt van Rijn) — The Entombment
Charles Émile Jacque — Man and Woman with Lanterns
Alphonse Legros (French, 1837–1911) — Adoration of the Sheph
Donald Shaw MacLaughlan — Interior of Charcoal Shop, Florenc
Rembrandt van Rijn (Dutch, 1606–1669) — The Descent from the