● On view now — Collection Gallery, Room 08, South Wall
Barnes Foundation, Philadelphia · verified July 2026
FROM THE BARNES FOUNDATION’S CATALOG
The vertical composition of this landscape emphasizes the steep rocky hill and tall pine trees. It was likely painted near the Château Noir, a neo-Gothic castle in Provence with views of Mont Sainte-Victoire, or within the forest of Fontainebleau, an area southeast of Paris. The rock-strewn hillside in this painting is made up of short "constructive" brushstrokes of green and orange, broken up by the gray, blue, and pink of the stone and its shadows, a style the artist developed by the late 1870s.
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The Village of L'Estaque Seen from the Sea (Le village de l'
River Bend (Coin de rivière)
Auvers, Panoramic View
Two and a Half Apples (Deux pommes et demie)
The Bellevue Plain / The Red Earth (La plaine de Bellevue /
Madame Cézanne (Hortense Fiquet, 1850–1922) in the Conservat
The Fishermen (Fantastic Scene)
Autumn Landscape (Paysage d'automne)
Paul Cezanne (French, 1839–1906) — The Brook
Paul Cezanne (French, 1839–1906) — Mount Sainte-Victoire
Alfred Maurer — Tree and Rock
Pierre-Auguste Renoir — Chestnut Trees, Pont-Aven (Châtaigni
Pierre-Auguste Renoir — Montagne Sainte-Victoire (Paysage)
Pierre-Auguste Renoir — Autumn Landscape (Paysage d'automne)
Henri Matisse — The Sea Seen from Collioure (La Mer vue de C
Paul Cezanne (French, 1839–1906) — The Pigeon Tower at Belle
Pierre-Auguste Renoir — Woman in Red in a Landscape (Femme e
Alfred Maurer — Hills