Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This drawing exemplifies the style Parmigianino developed after his stay in Rome (1524–27), where he would have been exposed to Raphael’s frescoes in the Vatican. It may be a preparatory drawing for a painting of a religious subject; the composition has been linked to the Marriage of the Virgin and a representation of six apostles. Parmigianino’s image has been copied many times by other artists, including Count Antonio Maria Zanetti, who bought this and other drawings by Parmigianino from the Earl of Arundel.
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