Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Increments of time, such as the seasons, were one of the most popular subjects for printed sets. Wenceslaus Hollar alone made six different versions. Hollar was a professional printmaker with over 3,000 prints to his credit. Born in Bohemia, he worked in Germany, London, and Antwerp. He came to London in 1636 while in the employ of the Earl of Arundel, an important collector that Hollar met in Germany. Apparently free to pursue independent projects, Hollar designed and etched this series around 1643–44. Here, each season is personified by elegantly clad ladies, appropriately dressed for their particular climate, with recognizable landmarks in and around London in the backgrounds. The inscriptions, in an older version of English, are slightly suggestive, in keeping with the lighthearted character of the imagery. The background depicts St. James Park, with the Banqueting House and Old St. Paul's Cathedral along the horizon. The inscription reads: "How Phoebus, crowns our Summer days / With stronger heat and brighter rays / Her lovely neck, and breast are bare, / Whilst her fan does cool the Air."
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Portrait of Albrecht Dürer, at the age of 26
Head of a Young Black Boy in Profile to the Right
Portrait of Pietro Aretino
Woman with dark hair and a bow in profile to the left
Woman with houpette on forehead turned to left
Woman with circular lace ruff
The Seasons
Unus Americanus ex Virginia (An American from Virginia)
Wenceslaus Hollar — Summer
Wenceslaus Hollar — Autumn
Wenceslaus Hollar — Spring
Wenceslaus Hollar — Wife of the Mayor of London
Jacques Callot — La Dame au Masque (The Lady with a Mask), f
Wenceslaus Hollar — Mulier Basiliensis (Woman of Basel);
Robert Gaywood (British, 1650–1711) — Cecilia, Lady Killigre
Abraham Bosse|Jean I Leblond — Smell
Gillis Hendricx|Peter Paul Rubens|Peeter Clouwet — A woman s
Wenceslaus Hollar — Burgher's Wife of Zurich