Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
This painting by Severin Roesen, who immigrated to the United States from Cologne in 1848, features a profusion of berries, grapes, peaches, figs, and other fruits piled upon a marble slab. His composition is a celebratory display of nature’s bounty— portrayed in such minute detail as to feel artificial. Roesen worked in Pennsylvania, supported by German immigrants who operated local breweries there. While still lifes in the 19th century typically adorned domestic dining rooms, Roesen’s painting may have hung in a public tavern or restaurant. For such patrons, the artist probably painted pictures in exchange for beer. Roesen and his male patrons would not have been counted among the followers of the growing temperance movement in America at midcentury.
Be the first to share your thoughts.
Sign in to join the discussion.
Emilie Preyer (German, 1849–1930) — Still Life with Fruit
Jan van Huysum — Still Life with Flowers and Fruit
Eelke Jelles Eelkema — Still Life with Flowers and Fruit
Anthony Oberman — Fruitstilleven in een terracotta schaal
William Mason Brown (American, 1828–1898) — Still Life with
Eelke Jelles Eelkema — Still Life with Flowers and Fruit
Bartolomeo Cavarozzi|Master of the Acquavella Still Life — B
Jacobus Linthorst — Still Life with Fruit
Louise Moillon — Still Life with a Basket of Fruit and a Bun
Abraham Mignon — Still Life with Fruit, Oysters, and a Porce
Jan van Huysum — Still Life with Fruit
Pieter Gallis — Still Life with Fruit