● On view now — 118 Italian Renaissance
Cleveland Museum of Art, Cleveland · verified August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
This picture is an example of the so-called world landscape, a term coined by art historians to characterize a type of Northern landscape painting with a vast panorama and a narrative religious subject in the foreground. This type of landscape, popularized by the Flemish painter Joachim Patinir (about 1485-1524), was fashionable throughout the 16th century. Bles placed the group of exotically dressed figures on a piece of land overlooking a great panorama of mountains, coast, and sea. The view of the harbor city is purely imaginative, and the fanciful cliffs and mountain peaks that crowd the distance seem to disappear into a light mist. This manner of creating depth in the landscape, called the atmospheric or aerial perspective, was an invention of Leonardo da Vinci (1452-1519). Bles was acclaimed in Italy as the Master of the Owl (il Civetta), after the bird he often put into his works. In this scene, the owl is situated on the rock in the lower-right foreground.
Be the first to share your thoughts.
Sign in to join the discussion.
Gillis van Coninxloo (Netherlandish, 1544–1607) — Landscape
Hans Bol (Flemish, 1534–1593) — Balaam and the Ass
anonymous — Landschap met de heilige Christoffel
Lucas van Leyden — Christ Presented to the People
Master of the Brussels Calling of Saint Matthew — The Arriva
Follower of Pieter Bruegel the Elder — The Temptation of Sai
Jacob Symonsz Pynas — The Meeting of Jacob and Esau
Guilliam van Nieulandt (II) — Travellers among Roman Ruins w
Frederik van Valckenborch — Mountainous Landscape
Philips Galle|Maarten van Heemskerck — The Fall of Babylon
Rivierlandschap met de heilige Christoffel
Roelant Savery — Landscape with ruins, cattle and deer