Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
Beginning in the mid-18th century, English manufacturers introduced yellow-bodied pottery with mottled brown glazing, commonly known as Rockingham ware, to the United States market. By the 1840s, factories in America, aided by English immigrant craftsmen, were producing the pottery to great success. Two of the most notable American makers of Rockingham ware were located in Bennington, Vermont, where potteries had existed since at least 1785, but there were also manufacturers in New Jersey, Ohio, Maryland, and elsewhere. Responding to the utilitarian needs of America’s middle class, these potteries produced a large range of objects, from spittoons to inkwells, snuffboxes to pitchers, and candlesticks to doorknobs. Lyman, Fenton, and Company modeled snuff jars such as this one loosely after a beloved English form known as a Toby Fillpot or Philpot. These jugs were usually modeled as a seated figure in 18th-century dress with a cup in one hand and a pitcher in the other. In this transformation of the English jug into an American snuff jar, the hat, or mouth, of the vessel has been turned into a lid.
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Moche — Handle Spout Vessel in the Form of a Figure Holding
D. and J. Henderson Company — Toby Jug
Artist unknown — Sugar Bowl with Cover
Artist unknown — Bottle
Meissen Porcelain Manufactory — Sugar Caster with Cover (one
Moche — Handle Spout Vessel in the Form of a Skeletal Figure
Artist unknown — Pitcher
Moche — Handle Spout Vessel in the Form of a Composite Scene
Jean-Joseph Carriès — Le Grenouillard (Frog-Man)
Moche — Stirrup Spout Vessel in Form of a Man Sitting atop a
Avon Pottery — The Triangle Player
China — Seated Figure