Not currently on view
In the collection of Art Institute of Chicago, Chicago · as of July 2026
FROM THE ART INSTITUTE OF CHICAGO’S CATALOG
The late 18th and early 19th centuries were an incredibly fertile period for innovation in the European textile industries, especially in the field of direct printing. Decades of experimentation led to the development of a variety of ways to apply color and pattern to cloth, which enabled artists and designers to invent new design vocabularies and quickly respond to cultural trends and ideas. One of the most enduring of these innovations was the ability to print on cloth with copperplates and then subsequently with engraved copper metal rollers. The quality of detail achieved through this method was unrivaled in terms of clarity, precision.
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Head of a Woman
Altarpiece from Thuison-les-Abbeville: Saint Hugh of Lincoln
Panels from the High Altar of the Charterhouse of Saint-Hono
Portrait of a Young Man
Altarpiece from Thuison-les-Abbeville: Saint Honoré
Altarpiece from Thuison-les-Abbeville: The Ascension
Panels from the High Altar of the Charterhouse of Saint-Hono
The Nymph of Fontainebleau
Italy — Border
John Munns — Valance (Furnishing Fabric)
Rongkong — Ceremonial Textile (mbesa tali tau batu or pewo)
Islamic — Scroll with Arabic text giving the story of the Sh
Italy, Florence — Panel from the Davanzati Palace
Probably Kashmir for the Persian market (present-day Iran) —
Turkey — Fragment
Mathevon et Bouvard — Panel
William Morris — Wey
Italy — Fragment
Italy — Fragment