Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Hutin’s drawing is an allegorical celebration of academic artistic training. The words UT PICTURA POESIS engraved on the stone tablet translate “as is painting, so is poetry.” Classical figures throughout the grand hall discuss their work as they practice different methods of making images. In the foreground, putti sculpt a portrait bust of Louis XV; behind them artists practice drawing a nude model. Among the sculptures in the room are the Farnese Hercules and the Venus de’ Medici, both famous Roman marbles in Italy, where Hutin trained from 1737 to 1742. In the upper right, Fame flies with trumpets above Minerva, the patron goddess of the arts, holding a paintbrush and palette as she drives out Ignorance and Envy.
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Jean Jacques de Boissieu — Time Banished by Truth
James Thornhill (British, 1675–1734) — Study for King Josiah
Louis Desplaces|Antoine Coypel — Hercules bringing Alcestis
Charles Claude Dauphin|Johann Jakob Thurneysen, the Elder —
Gabriel de Saint-Aubin — Allegorie sur la Convalescence du D
Franz von Hauslab the Younger — Allegory of Victory: Soldier
Grégoire Huret — Virgin Helps Louis XIII to Expel the Vices
Joachim von Sandrart — Pygmalion
Federico Zuccaro (Zuccari) — Study for The Allegory of Sprin
Cornelis Schut|Anonymous, Flemish, 17th century|Rombout Eynh
Jan Goeree (Dutch, 1670–1731) — Perseus and Minerva before a
Pierre Brebiette — St. Catherine