Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of July 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Wang Yuanqi, an official in Emperor Kangxi’s (reigned 1662–1722) court, grew up in an artistic family. Like other mainstream painters of the Orthodox School, he followed a canon of earlier styles and artists endorsed by Ming calligrapher Dong Qichang (1555–1636). Here, Wang drew inspiration from Ni Zan (1301–1374), a Yuan dynasty painter known for his simple compositions and spare use of ink. Master Ni seldom used color, but Wang added green and ochre washes to the trees, cottages, and hills in this landscape. Painting was a way for Wang to relieve the pressures of his official duties.
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Wang Jian
Wang Yuanqi — Landscape
Song Xu (Chinese, 1525-c. 1606) — Yutai Peak (Jade Terrace P
Song Xu (Chinese, 1525-c. 1606) — Mt. Fenghuang (Mt. Phoenix
Zhai Dakun (Chinese, d. 1804) — Landscape
Song Xu (Chinese, 1525-c. 1606) — Fushan Monastery
Kuncan (Chinese, 1612–c. 1673) — Spring Landscape
Wang Hui — 倣趙伯駒山水圖 軸|Landscape in the Style of Zhao Boju (Fa
Xiao Yuncong (Chinese, 1596–1673) — Album of Seasonal Landsc
Mei Qing (Chinese, 1623–1697) — Landscapes in Various Styles
Zhai Dakun (Chinese, d. 1804) — Landscape in the Style of Ch
Landscape with Streams and Mountains