Not currently on view
In the collection of Cleveland Museum of Art, Cleveland · as of August 2026
FROM THE CLEVELAND MUSEUM OF ART’S CATALOG
Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites. This print features bateaux-lavoirs (wash boats) on the Seine River, where laundresses could purchase a spot to do their washing. The boats appealed to Meryon, who was fascinated by Paris’s gradual transformation. Since they attracted crowds of working-class women, administrators considered the boats unsightly and unhygienic, repeatedly pushing them closer to the city’s outskirts until few remained by the end of the 1800s.
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Edmond Gosselin (French) — La Morgue
Charles Meryon — The Mortuary, Paris (La Morgue)
Charles Meryon — The Mortuary, Paris (La Morgue)
Thomas Wijck — An Oriental Merchant with Merchandise at Rive
Edmond Gosselin (French) — Saint-Etienne-du-Mont
Thomas Wijck — An Oriental Merchant with Merchandise at Rive
Joseph Smith|Canaletto (Giovanni Antonio Canal) — The Locks
Maxime Lalanne (French, 1827–1886) — Rue des Marmousets (Old
Edmond Gosselin (French) — Partie de la cité vers la fin du
Charles Meryon|Louis-Marie Laurence — Rue Pirouette aux Hall
Thomas Wijck — A Woman Standing by a Seated Man
Antonio Canaletto (Italian, 1697–1768) — Views: La Maison a